The creators of Displaced Persons have a great love for San Francisco, as the book starts with Emperor Norton, who finds an abandoned child and promptly delivers him to the nearest orphanage. The orphan in the prologue is only one of the mysteries the reader’s invited to unravel: there’s a missing heiress, a love triangle involving twins, a drug bust gone bad, and an amnesiac. Clues include a locket, a photograph, and a house.
The main conceit of Displaced Persons, however, is that the mysteries cross three timelines, each with its own color palette. Only the cover and the last page break out into vivid color as the book tries to answer the main question: where do all missing people end up? Are they only lost to their loved ones, or are they also lost to themselves?
Displaced Persons is a high-concept, unusual work; it’s obviously a labor of love. Unfortunately, its ambitious plot is also mildly convoluted. This book might be more satisfying after a second reading. Even the sharpest reader might have difficulty keeping track of everything. Clarity does come at the end, but one might be too disheartened by the book’s melancholic outlook to notice it.